Porsche Experience Centre Silverstone
An LED wall that follows visitors' hands, so they can quiz themselves, recolour a 911 and explore a car in 360° without touching a screen.
Installations, brand experiences and live shows.
An LED wall that follows visitors' hands, so they can quiz themselves, recolour a 911 and explore a car in 360° without touching a screen.
A multi-user interactive walkway at Heathrow for British Airways, showing passengers what Barclays customers can unlock by earning Avios points.
Live augmented reality content for the Expo 2020 Dubai closing ceremony, created with Bild Studios.
Real-time interactive content for Absen's LED stand at Integrated Systems Europe, letting several visitors play with the wall at once.
Projectors, a custom media server, projection-ready surfaces and LiDAR interaction, supplied and installed for VMI Studios in Brixton.
As a technical supplier to Newsubstance, we created the real-time content and built the live pipeline that put fans' tagged Instagram photos and messages onto the countdown clock's LED displays in Doha, moderated, within moments of posting.
Maintenance and repair for the castle museum's interactive exhibits, from the chariot race game to the prison cell projections.
A bespoke workflow to design, map and deliver real-time content across more than 125,000 pixels on the 80-metre Nur Alem sphere, with Brilliant Technologies and VML Technologies.
Real-time Notch looks for the club's new LED wall and LED tunnel.
Interactive snow and leaf content for a Frozen LED floor, with Mesmer. Footsteps melt through the snow, leaves scatter around visitors' feet and hot spots set off bursts of ice, tracked by LiDAR sensors we supplied.
A charity installation in Ashford for the William Harvey Hospital, where the floor reacts to people walking through, waterfalls respond to whoever stands near them and a wall turns from winter to summer.
Content and visuals for headline shows, usually as part of a wider creative team. Where we worked with a studio, we name them. How we work on live shows.
Show content and live camera looks for 50 Cent's 2025 Legacy Tour.
Content creation for Shawn Mendes's 2025 On the Road Again tour of Europe and North America, with Pixels and Noise.
Looks for the live camera feeds that used AI to lift the band out of the background and restyle them on the big screens, in time with the music.
Content creation for Grand Ole Opry Live in London, the Opry's 100th-year show at the Royal Albert Hall, with Pixels and Noise.
A library of live camera looks for Michael Bibi's One Life show at Silverworks Island, London, with Visual Zuu, plus the show file and days on site.
Visuals for the US leg of the Rhapsody Tour, created with Flint, generated live and tied to the show's lighting, staging and musical cues.
Visual content for Rick Astley's Are We There Yet? Tour 2024, built so the lighting designer could change visual elements live from the lighting desk.
High-impact visual content for the band's FLARE tour shows in Europe in 2024, created with Pixels and Noise.
Content and live camera effects for the big screens at KSI's Wembley Arena show, created with Black Skull Creative.
Interactive content and real-time image effects for Drake's Young Money Reunion show in Toronto, with COMIX.
Content creation and LiDAR sensors for Swedish House Mafia's 2023 South American shows, with Pixels and Noise.
Content creation, the show file and on-site set-up for Skepta's Big Smoke Festival in 2024.
Visual content and workflow support for Danny Ocean's 2024–25 world tour, adapting the Reflexa live show for venues worldwide, with Henrique Ghersi.
Custom real-time graphics that turned the venue into a reactive environment, evolving live through the show.
Prototypes and products in development, including Living Portrait, are in the Lab. They're clearly marked as R&D, not client work.
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